This year, Walmart featured a very upbeat TV ad with the caption, “Easter like you mean it.” It’s about kids running around in a well cared for neighborhood, chasing each other and finding easter eggs while inside the house, the elders are preparing a sumptuous feast. [1] And in spite of all the action, the first thing to catch my attention was that they had turned Easter into a verb. [2]
When I got past that, “Eastering like you mean it” began to seem like a good idea. The Resurrection of Jesus of Nazareth in one thing, of course, and the annual celebration of an event called “Easter” is quite another. Bede, the medieval English writer, says that Anglo-Saxon Christians adopted that name in honor of Eastre, the goddess of fertility and spring, but it may originally have meant “sunrise.” [3]
So the notion of “Eastering like you mean it” doesn’t actually run afoul of any hallowed Christian words. “Christmas like you mean it” does run afoul of Christian words, but the offense against the language is the same. It is clear in the TV ad that “Eastering” requires buying a lot of stuff, which is why it interested Walmart, I am sure, but it is hard to get any clarity on what the alternatives are. “Don’t Easter at all!” doesn’t sound like a winner. “Easter unenthusiastically!” isn’t much better.
Today I want to t
ry to understand why an Easter card has meant so much to me over the years. It first meant something to me because it was sent to me by my niece, Lisa Hess, in the confident expectation that she and I found the same kinds of things to be funny. Boy was she right about that!
So here’s the first part. You have to understand that the hill represents the tomb where Jesus’s body was placed after the crucifixion and the circle in the middle of it is a stone, intended to seal the mouth of the cave. The world’s most confident rabbit sits beside the cave and the rock rolls over him. We see the word “Easter…” with its little ellipsis and inside the card comes what is supposed to be the punch line: “It not about a bunny.”
OK, that’s a little bit funny. It’s better than “Keep Christ in Christmas,” but it’s not as good as “Easter like you mean it.”
Inside the card, at the bottom right corner, it gets a lot better. It’s funnier, for one thing; something Lisa and I both enjoyed. But there is something else, too, and that something else, whatever it is, has moved me for years. There is something serious under the funny. I get the card out of the drawer where I keep it even when it isn’t Easter. I don’t even give it up for Lent.
Here’s the second part.
Here is Jesus, obviously, and the formerly crushed bunny. Jesus and the bunny are looking very alive. Jesus declares, “You’re healed.” The bunny responds, “Thanks
. Welcome back.” For me, this is where the funny starts.
For one thing, of the thirty some individual healings recorded in the New Testament accounts, no one ever responded verbally to Jesus. That’s to the best of my memory and since we are here exploring why this might have struck me as enduringly funny, my memory is the record that really matters. So this bunny is the first to do that. And he is surprisingly casual about it. There’s no “Blessings on thee, thou Son of David” or anything like that. “Thanks.”
But then he goes on. “Welcome back.” Well…the time doesn’t work, for one thing. The bunny was dead long before Jesus left the tomb. No one has ever suggested that Jesus rolled the stone away himself. “Back” implies a continuity of experience that makes no sense at all. I think that is why I like it.
But I think the pop in this whole card—for me, this is a private meaning—is “Welcome.” It never made any sense to me that the bunny would be welcoming Jesus “back” representing only himself. (“Back” really is a theological problem, but it isn’t funny [4]) He must represent some larger entity on behalf of whom he is welcoming Jesus. The bunny is not a host, in other words; he is a spokesman.
As I have thought about this over the years, I have become convinced that this discrepancy—the bunny as a spokesman—is the discrepancy that has generated years of funny and now, finally, a small attempt to understand what is so funny. It is very like the discrepancy between “Thanks” and “Blessings on thee, thou Son of David.” And discrepancies are the nub of humor. A discrepancy that you take playfully is funny by definition.
So who does the bunny represent? We are all guessing here. I am sure the
artist didn’t have a candidate in mind. For myself, I think maybe “the natural order.” The relationship of God’s followers to the natural order has been contentious to say the least. Those drawing from Genesis get to choose between God’s command that we “dominate” and “subdue” nature or that we “care for it” as a steward cares for his master’s property. Quite a difference.
But the larger difference comes in visions of the natural order and the Eschaton—the end of time—when God’s rule on earth is fully realized. Isaiah’s vision in Chapter 11 is well-known. [5]
6 The wolf will live with the lamb, the panther lie down with the kid, calf, lion and fat-stock beast together, with a little boy to lead them. 7 The cow and the bear will graze, their young will lie down together. The lion will eat hay like the ox. 8 The infant will play over the den of the adder; the baby will put his hand into the viper’s lair. 9 No hurt, no harm will be done on all my holy mountain, for the country will be full of knowledge of Yahweh as the waters cover the sea.
The Apostle Paul’s vision is even more extensive. In Romans 8, he says:
18 In my estimation, all that we suffer in the present time is nothing in comparison with the glory which is destined to be disclosed for us, 19 for the whole creation is waiting with eagerness for the children of God to be revealed. 20 It was not for its own purposes that creation had frustration imposed on it, but for the purposes of him who imposed it— 21 with the intention that the whole creation itself might be freed from its slavery to corruption and brought into the same glorious freedom as the children of God.
Creation itself is broken, Paul says. It has had “frustration imposed on it.” Whatever specific meaning that points to, I think the later expression—“it’s slavery to corruption”—is intended to echo it. In this vision, it is not only that deadly conflict is removed (as in Isaiah), but also the tendency of matter toward corruption and decay. When he says that nature is to be healed, he cites as a problem to be solved, a condition that moderns, like me, don’t think of as a problem at all. We think of it as what the world is truly like.
Anyway, that’s my best guess. I have been looking for what the bunny’s casual welcome means—what larger reality it represents. I assert that the welcome represents some larger reality on no grounds other than the persistent sense I have had that there is more to the card than a first reading gives us. And to back up the notion that there is something more to the card, I have nothing but the abiding sense of discrepancy. It is like asking everyone to listen to an echo that, it turns out, only you can hear.
I was looking for some larger entity on whose behalf the bunny could welcome Jesus’s return. Isaiah’s vision and Paul’s as well, offer “nature itself” as a candidate. It is on behalf of the natural world, now broken but ultimately to be redeemed, that the bunny welcome Jesus’s return.
I don’t really know. What I know is that I have liked this card for many years and have liked it much more than I “should” if there is no more to it than just what is on the card. The dialog on the inner card is funny, but it isn’t that funny. The cartoon drawings are funny, but they aren’t that funny. I have gone looking for an explanation by poking and prodding at the discrepancies that are only hinted at in the card itself.
And that, finally, is what I think. I think that some part of me has sensed that the dramatic scene presented on the card is a huge cosmic drama told by Amos ’n Andy. The presentation and the meaning, by this understanding, are wildly out of line.
And that is just the kind of thing that makes me laugh.
[1] It didn’t occur to me while I was being dazzled by the ad, but scarcely anyone making Wallmart-level wages could afford the life that is pictured here. I guess that is only a minor irony.
[2] This may be in retaliation for all the verbs that have become nouns in business-speak. “We have not yet got to the ask,” illustrates the problem I am contemplating.
[3] In which case the Christian justification for having hijacked yet another pagan festival would be that the Son did, in fact, rise at daybreak. I know that goes beyond the textual evidence, but we are exploring levels of meaning here in which substantiation really doesn’t matter very much.
[4] The doctrine of the Resurrection has nothing at all to do with “coming back” to life. The “life” to which Resurrection points is on beyond death. Jesus did not rebound into a continuingly mortal life like Lazarus did. He didn’t come “back.” He went “on.” And that makes the bunny’s greeting a sort of theological puzzle. See “The Re- of Resurrection” https://thedilettantesdilemma.com/2017/02/26/the-re-of-resurrection/ for a recent treatment.
[5] This vision treats the predatory cycle as a problem that will be solved. No more predators and no more prey. I don’t know of any biologists who think of existence of predators is a problem to be solved.A
wrestling with it. I haven’t either. Dad was in a great deal more contact with “resurrection” than any casually orthodox Christian would have been. I think Dad knew the Resurrection about as well as Jacob knew the angel he wrestled with and for most of the same reasons.
have any trouble with that particular clause, but there were clauses that troubled him a good deal and he didn’t say those clauses. The effect was like a radio with a loose connection and some clauses would be easily audible, then some silence, then another audible phrase.
is probably about right—I tried to understand the essential “truths” of the Christian faith in a way that made sense. I was free, as Dad was not, to mess around with the questions and that is how I was able to come up with “answers” that fit the questions better. Like Captain Kirk, subverting the Kobayashi Maru exercise, I have felt free to reprogram the computer and manage not to die.
ear. Of the socks I show you here, one of the tapes is still clear, as Dad had been. And one is blank, the identity has come off, as Dad became. And I think about that when I put on the one sock; then the other.
Let’s get the invidious comparisons out of the way right here at the beginning. McKenna Grace is much cuter than Matt Damon has ever been. OK, having said that, Good Will Hunting is a much richer movie than Gifted. Both explore the dilemma faced by a brilliant kid who wants to life a normal life. Matt Damon plays a punk from South Boston; McKenna Grace plays Mary, a little girl with no social skills whatsoever (no friends either) being raised by her uncle in Florida.
had read the synopsis and seen a preview. But I also knew that sitting there in my chair in the theater, I could see any number of other movies. It occurred to me when we went in that I might be about to see a movie about a “gifted” uncle, who is raising a little mathematically precocious girl in pretty casual circumstances in Florida. I was ready to see that movie and it would have been a really good movie. I might see that movie when I go back to see Gifted again. I could call it The Gifted Uncle.
g. But if the climax of the movie is Frank’s slamming the document down on the desk in front of his unbelieving mother, then his doing nothing about that document all through the movie is enormously meaningful. You just don’t realize it at the time.
I have no way of knowing, of course, what movie you will see when you go to see Gifted. You may want to go back and see Good Will Hunting again. I did. You may attach the principal meaning to the mother and the relationships she has had with her husband, her son (Frank) and her daughter, Mary’s mother. This particular movie is about her relationship with her granddaughter, but Evelyn is a “one interest at at time” sort of person. “Very English,” says her continent son Frank, and there is no reason you can’t just give yourself permission to see the story that stars her and her aspirations, if that is the one you want to see.
It is gone and it is not coming back. Politicians can promise that they will “fight for us,” and as long as we are feeling powerless to control our own economic destiny, that promise will be powerful. They are empty promises. We can no longer control our economic destiny and that is probably a good thing, however uncomfortable it makes us feel.
Consider what China has already done with solar panels. “China is now home,” Bradsher says, “to two thirds of the world’s solar production capacity.” That gets them a place at the table, wouldn’t you think? And, Bradsher continues, “because China also buys half of the world’s new solar panels, it now effectively controls the market.” I would think that would give them most of the other places at the table as well.
voters on the basis of what we will have to do to “govern ourselves once more” or to “take control of our own destiny” or even “to return America to the leadership we once had.” I haven’t even begun to cover the slogans, and in my list, I restricted myself to only positive images. If you include avoiding negative outcomes—like “Better Red than Dead”—you can make a much bigger list.
The nationalists will call the globalists, “defeatist.” The globalists will call the nationalists “delusional.” What I want to know is what the voters will call these two “parties.”
If this is the wave of the future, economically, how can the American voters prepare to vote their own economic self-interest in national elections? How can they learn to respond to the globalist message when there is no hope in it for them and no way back to American global dominance?
one thing evokes which attached it to another. Of course, associations—plausible but mistaken associations—are the root of a great deal of humor. Advertising for mattresses, for instance, is full of references that could be taken to refer to the mattress or to what one might enjoy doing on the mattress. They count on you to associate the one meaning with the other and nearly everyone does.
I have seen that story set in Revolutionary War times and in Civil War times, but either setting presupposes the line of soldiers with muskets or rifles standing in the way of an attacking army and refusing to retreat. “They stood there,” ran one account I saw, “like they had tar on their heels.” The Tar Heels had the courage to “stand their ground,” a term that makes perfect sense on the battlefield. [2]
down the street yesterday when I passed a car with a North Carolina plate. It said, like this one, “First in Flight.” At that point, my mind handed me a meaning of Tar Heel I had never had before. Thank you, mind. It pointed out to me that “Tar Heel” means “Last in Flight.” That’s a very good thing if you are talking about the behavior of soldiers in battle. So I started smiling and have hardly stopped. When I was still chuckling about it this morning, I thought I would share it.
No one questions the speaker’s qualifications to speak on the assigned topic, but he is a member of an organization (the Presbyterian Church of America) which is more conservative than the Presbyterian Church USA, the home denomination of Princeton Seminary and the PCA is a great deal more conservative than the faculty and students at the Seminary itself.
l beyond our initial expectations, many gentiles have responded positively. We could treat their interest as an occasion for “harassing them” [2]. We could see how sincere they are by putting obstacles in their way. We could cast aspersions on some other aspect of their way of life or their associations. But wait, James says, let’s not do that. They are turning to God. Let’s refuse to throw obstacles in their way.
The expression “identity theology” is new to me, but it is an idea I have seen in practice for a long time. Sometimes, when I get sloppy, I see it in my own practice so I am not pointing fingers as a mere spectator might. I ran across this idea first in C. S. Lewis’s The Screwtape Letters, the premise of which is that Screwtape, a very senior devil, is giving advice to his pupil, Wormwood, about how to damn human souls. [4] This passage is from Letter 25.
Some years ago, I read a fascinating review of Chariots of Fire by Ted Mahar, who reviewed movies for The Oregonian at the time. “You’re really going to like this movie,” he said, as I recall it. “You’re going to to talk to your friends and they are going to ask you what the movie was about. And at that moment, you are going to begin to struggle. What was it about, really? You know you liked it, but what was it about?”
Last Word. Embedded in the story of Harriet Lawler, a wealthy and talented bully, who lacks only a compassionately written obituary to support her declaration that her life a success, is the inspiring story of Anne Sherman, the girl she picks on to write the obituary.
Fourth, I survey the characters who are now “minor characters” in this movie, Life for the Taking. That would include MacLaine, who is the major character in The Last Word. In this new movie, MacLaine is important only as she bears on the odyssey of Anne Sherman. In what way did each of these characters contribute to the main theme? What depth did they add? What tension? How did each help define this plot? Here are two of the main characters of one of the movies you can see in Lone Star.
John maintains, is beautifully illustrated in The Matrix. When Neo, who is thought to be “the One,” is reunited with his body, which has spent all his previous years immersed in a tub of goo, he wonders, “Why do my eyes hurt?” Morpheus has to tell him, “Because you’ve never used them before.”
So think about that a minute while I tell you about birdwatching. Most of the time when you are looking at a bird through binoculars, you have some idea of what it is and a broader notion of what it might be. And rather than just “seeing what is there,” you find that your mind offers you one plausible rendition after another after another. If it ought to have a yellow throat, for instance your eye will choose the yellow of a flower from the background and “place it” onto the throat so that you have a momentary glimpse of the bird with the yellow throat. And you have to be patient and disciplined to see whether the yellow you saw on the throat—you really did see that—actually IS on the throat.
I’m guessing about the neurological strategies involved here, but I think I saw the woman’s hand being held up at what, you will agree, is an odd angle unless you see that she is holding onto a strap. Which I did not see. I could have, but I didn’t.
MacLaine’s character, Harriet Lawler, is a thoroughly unpleasant person. She has no respect at all for personal boundaries and respects no one at all—including her former husband and a woman who could probably be best characterized as her former daughter. She is very bright, very aggressive, and very rich so there isn’t a lot she can’t do just by wanting to.
Now I would like to say what is right with Harriet’s approach and to do that, I want to step back a little and talk about the Bible. There are people who think of the Bible as a kind of rule book, every piece of which means whatever the King James Version says it means and every piece of which is applicable to me. There is so much wrong with that approach that it is hard to confine myself to just one criticism. But I will.
Anne is severely risk averse. She want’s to be a writer, but the very limited range of life experiences she has chosen confine her writing to that of an idealistic little girl. She has chosen a safe little occupation to support her while she “becomes a writer.” She withholds her heart from life-changing romantic involvements for the same reason. She has never gone to Andalusia, here dream vacation, for the same reason.
Here’s an example that caught my attention recently. This was is a local neighborhood paper in Portland, in the neighborhood where Bette and I lived before we moved across the river to a different Congressional district.
My kids used to like it when we read Mrs. Piggle Wiggle stories. I never understood why. The children were always wrong in these stories. One they particularly liked was the “Thought You Saiders Cure,” in which the children keep “creatively mishearing” what is said. [1]
