“For several days, in fact, [the Count] had been fending off a state of restlessness. On his regular descent to the lobby, he found himself counting steps….He found that he was walking through the doors of the Piazza at 12:01 for lunch. At 1:35, when he climbed the 110 steps to his room, he was already calculating the minutes until he could come back downstairs for a drink. If he continued along this course, it would not take long for the ceiling to edge downward, the walls to edge inward, and the floor to edge upward, until the entire hotel had been collapsed into the size of a biscuit tin.”
Fans of Amor Towles’ marvelous A Gentleman in Moscow will recognize “the hotel” as the Metropol Hotel in Moscow. It is stately and beautiful, but it is a prison for Count Alexander Ilyich Rostov and the new Soviet government has assured him that if the tries to leave it, he will be shot. The Count has always seen himself as a “Man of Intent,” but at this stage of the story, he has not found one. The result is that he feels the hotel shrinking around him until it will be smaller than a prison cell.
I was impressed that Towles describes the behaviors the Count is relying on as if they were the dimensions of the space he lives in. There is a good deal more that could be said about that, but I picked this passage because I live in a Senior Center and I see a lot of people living in shrinking space. It is a very nice senior center. As senior centers go, it is like the Metropol Hotel, but nothing will keep you from counting the steps and counting the minutes if you do not have intentions that move you and that give you a reason to invest yourself.
The Count is courageous, but he is also lucky. He befriends a very young child, Nina, who is there in the hotel with her nanny, and together they devise adventures. When Nina grows up and leaves, he manages to become the Head Waiter in the Boyarski, the hotel’s prestigious restaurant. All the skills he developed as a noble, being served in such restaurants, he puts to work as a waiter in that restaurant.
As the story develops, Nina’s daughter Sophie, is left with the Count for what is supposed to be “a month or two,” but which becomes permanent. Sophie is about the age that her mother was when each met the Count, and the Count and Sophie devise adventures.
The two little girls are a great help to Alexander Ilyich, but they are not what keeps the hotel from shrinking around him. He takes pleasure in doing thing right and he was raised to know what “right” was in many areas. The area that matters the most to him in this setting is his knowledge of food and drink, but he is also a good friend and a thoughtful mentor. Doing those things and doing them well matter to the Count and they provide the structure of intentions that keep the ceiling, the walls, and the floor where they ought to be.
Here where I live, I see people who are courageous and lucky. And also some who are not. The great advantage of Towles’ description–that it is the hotel that is changing–is that it makes the pressures visible in the way the residents react to them. It is a good way to see these pressures the way they see them or the way they feel them. It keeps others–myself, for instance–away from speculations about motives available and opportunities squandered.
The Count, from the time of this passage onward, has things to do that matter to him. (Readers who are familiar with the story will want to remind me that he was one step away from suicide at one point, but if they were to remind me of that, I would reply that it took only the taste of honey made by bees from his faraway childhood home to bring him back.)
I am a fan, as you might have guessed, of having things to do that matter. They don’t have to matter to anyone else, but they need to provide me with a reason for being bold at one time and patient at another. I don’t want to live in a life-space the size of a biscuit tin and I don’t have to.




